In
order to establish the scope of this governmental trend for the audience,
Bazelon chronologically progresses through instances of American terrorism
where the “public safety exception” was used, including that of Zacarias
Moussaoui, Umar Farouk
Abdulmutallab, and Faisal Shahzad.
The examples chosen illustrate how the usage of the exception has
increased in recent years, which in turn helps to further Bazelon’s main point:
if law enforcement agencies are able to make their own rules now, what/who
will/can stop them from doing so, in more dangerous ways, in the future? In addition, the examples add
credibility (ethos) to Bazelon and her claims.
These claims are
dramatically enhanced through Bazelon’s colloquial yet cautionary tone, which
speaks directly to the audience in a friendly and direct way while at the same
time clearly warning them of the implications of this abuse of governmental
power (abuses the Miranda act initially aimed at reducing). Casual, simple transitional phrases
such as “Here’s the legal history,” and affable, informal authorial asides such
as “Fine. Good, even—that gun could have put other people in danger” really
allow Bazelon’s words to make tangible connections with the audience. Furthermore, Bazelon’s habits of addressing
the audience directly (“you”) and of simplifying explanations and diction so
they are easily comprehendible helps the audience to feel as if they are on the
same level as Bazelon. This
subsequently helps Bazelon’s points to resonate and really leave a strong
impression on the audience.
Americans will continue
to wait in trepidation for more details about Dzhokhar, his brother, and the
Boston Marathon bombing to surface.
After reading Bazelon’s article, one can only hope that this new
information will not be gained at the expense of Dzhokhar’s basic American rights.
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